Intimacy\/\/Heaven\/\/Honey<\/span><\/a><\/p>\n ABOUT THE SHOW<\/p>\n The Intimacy Project is a theatrical experience that blurs the line between audience\u00a0members and performers to provoke moments of intimacy, whether that is sharing a\u00a0secret, embracing a spontaneous dance party or holding hands with a stranger.<\/p>\n Audience members will choose their level of participation as they physically navigate\u00a0the performance space. This will be facilitated by performers and prompted by design\u00a0elements. The performance will integrate movement, dance choreography, scripted\u00a0and improvised text, and multimedia to create an evening that allows each audience\u00a0member to co-create their experience.<\/p>\n Sascha Blocker<\/strong> is an associate artist with Push Leg Theatre Company, which won two Drammy\u00a0<\/span>awards in 2014 for Nighthawks (Best Devised Production and Movement\u00a0<\/span>Choreography). Sascha was awarded a 2016 RACC project grant to produce an\u00a0<\/span>immersive theater project, which focuses on the theme of intimacy. She is a founding\u00a0<\/span>company member of Das Collectivnost de Teatro y Ridicule International, which\u00a0<\/span>premiered work in Bethlehem, Pennsylvania and Bilbao, Spain. Locally Sascha has\u00a0<\/span>worked with Imago, Hand2Mouth, Third Rail, CoHo, Post 5, Liminal Performance Group,\u00a0<\/span>the Portland Actors Conservatory, and has produced work for the Fertile Ground\u00a0<\/span>Festival. Sascha earned an MFA in Performance from the London International School\u00a0<\/span>of Performing Arts in conjunction with Naropa University. Sascha teaches\u00a0<\/span>Communication Studies classes at Portland State University and Clark College, classes\u00a0<\/span>include: Public Speaking, Interpersonal Communication, Small Group Communication,\u00a0<\/span>& Communication in the Workplace. She also teaches Improvisation, Movement, &\u00a0<\/span>Devising Experimental Theater at Portland Community College (Cascade Campus).<\/span><\/p>\n A segment of an original piece inspired by the true story of Helen Dora Kohn (aka Helen Shucman), the cantankerous woman who wrote (channeled) the world renowned, \u201cA Course in Miracles\u201d.<\/span><\/p>\n While a professor of Psychology at Columbia University in the mid 1960\u2019s, Helen teamed up with the esteemed Head of Psychology, Dr. William Thetford for over 7yrs to \u201cScribe\u201d this manuscript which she was instructed to by a \u201cVoice\u201d that consumed her. Her name was not associated with the book (by her request) until after her death. Helen lived a dual life, struggling greatly during those years during the book\u2019s dictation and fearing for her sanity as well as her reputation.<\/span><\/p>\n This impressionistic multimedia production will present abstract interpretations on the themes of religion and science through out time– toggling back and forth between the ecstasy and insanity of transcendence to the confines of the everyday \u201ccivilized\u201d ego mind. The interplay between the reptilian brain and the \u201cevolved\u201d frontal lobe– the higher and lower self which is unified in both atheist and believer alike.<\/span><\/p>\n Vanessa Hopkins<\/b> is a lifetime performer received \u00a0scholarship in both Dance and Theater at Santa Monica College. A near fatal car accident at nineteen deepened her passion for the healing arts and yoga, which continues to inspire her to create works of art that make the metaphysical and healing experience more accessible to a wider audience. After attending ACT, she spent years exploring and performing experimental theater, dance and music in the Bay Area, New York, LA and Europe. Vanessa has trained with Diego Pinon(Butoh), The SF Butoh Festival, Jess Curtis of Contraband, Suzuki\/Viewpoints and Devising with SITI Co and PETE, Clown with Philip Cuomo and Advanced Acting with Jeffrey Tambor. Some favorite roles include: <\/span>Mephistopheles <\/span><\/i>(Shotgun Players), <\/span>George Sand<\/span><\/i> (L.A. Ovation Award \u201cbest actress\u201d, City Garage Theater),<\/span> Masha<\/span><\/i> (Circus Theatricals), <\/span>Audrey Wood <\/span><\/i>(Ashland Contemporary Theater). She\u2019s acted in several independent films, TV and commercials, as well as performed in her own video sketches. As a director in theater: <\/span>Edge Of Nowhere<\/span><\/i>, Mr Williams and Miss Wood, \u00a0and <\/span>The Rocky Horror Picture Show .<\/span><\/i> Currently, Vanessa is writing a feature narrative film while in post-production for her first \u00a0documentary film, <\/span>Sky Dancer<\/span><\/i>.<\/span> A musical performance about love, Shakespeare and text messaging. This piece will focus on the times in our lives when we are seduced by language, the feverish moments when we crave the heightened language of poetry, and the moments when words totally and utterly fail. There is only one serious question. And that is: Who knows how to make love stay?<\/span><\/p>\n Danielle Frimer<\/b> is an actor, singer and writer and a recent graduate of ACT’s MFA Acting program. At ACT, her roles have included Nell in Indian Ink, Teresa in Napoli, Annabelle in A Christmas Carol, Ophelia in Hamlet and Victoria\/Edward in Cloud Nine. In Portland, she has played the Princess in Love’s Labour’s Lost (Post 5 Theater, dir. Avital Shira), and Olivia in Twelfth Night (Portland Actors Ensemble, dir. Avital Shira). Frimer currently works at an interactive entertainment technology company in San Francisco called PullString, where she writes and voices conversational characters. She also writes songs and performs them at open mics. She has a B.A. from Yale University, where she was the recipient of the Branford Arts Prize.<\/span><\/p>\n Avital Shira<\/b> Originally from Portland, OR, Avital Shira is a director who has a particular passion for heightened language and the blending of music and language in devised work. Directing credits include Love’s Labour’s Lost (Post5 Theatre), The Importance of Being Earnest (LA Athletic Club), Two Gentlemen of Verona (Disjecta), Phantomwise (NYC Fringe Festival), and Twelfth Night (Portland Actors Ensemble). She has directed staged readings for theatres including Corrib Theatre, Jewish Theatre Collaborative, the GirlsWrite Festival and the Theatricians, and has often collaborated with playwrights to co\u00addevise and\/or dramaturg developing work. Avital has assisted directors around the country at theatres including Lincoln Center Theater, Denver Center of Performing Arts, Writers Theatre, and Shakespeare Santa Cruz. Avital is a graduate of Yale University, where she was awarded the Branford Arts Prize and the James S. Metcalfe prize for her direction of Much Ado About Nothing. She is a member of the 2013 Lincoln Center Directors Lab.<\/span><\/p>\n Maria Difabbio<\/b> is a singer\/songwriter based in Brooklyn, NY. She wrote and performed with the Portland based folk band \u201cSkidmore Bluffs,\u201d and her songs were featured in What Is Left, a poetry\/performance piece directed by Avital Shira. Most recently, she sang on Laura Gragtmans new album \u201cHug The Lonely Cactus.\u201d She is also a stage manager, and has worked with Portland Center Stage, Post 5 Theatre, PAE, and Long Wharf Theatre in New Haven, CT.<\/span><\/p>\n Susannah Jones<\/b> is a New York based actress, singer and audiobook narrator. Recent credits include Mother in the national tour of A Christmas Story: The Musical, Olivia in Twelfth Night with Mainestage Shakespeare, and Susan in Company at The Bucks County Playhouse. In Portland, she played Miranda in The Tempest and Lady Catherine in the workshop of The Admirable Crichton with The Portland Shakespeare Project. She is a series regular on the webseries Plant, and received the award for outstanding supporting actress in a comedy series at the LA webfest in 2014. Susannah is a graduate of NYU Tisch and received the Stella Adler Studio award for excellence in 2011. For more info, please visit www.susannahjones.info.<\/span><\/p>\n Matter\/\/Counting\/\/Broken<\/span><\/a><\/strong><\/p>\n Matter is Mother<\/em> is a one \u00adwoman show set in a private resort in the Bahamas where a mythic sea monster named \u201cLusca\u201d is said to dwell. Throughout the show the audience is coaxed in to this tropical world through character\u00ad-driven monologues, recordings, dances, and songs as each character uses Lusca\u2019s presence to reflect their relationship to the feminine. Drawing a parallel between the collective pressure we\u2019ve placed on females in our society and the mindlessness in which we\u2019ve treated the ultimate feminine force, Mother Earth, this piece offers science cloaked in raucous comedy and solutions for healing wrapped in poetry and performance.<\/p>\n Julia Bray<\/strong>\u00a0is a performer, writer, singer, dancer, producer and teacher who has lived and created in New York City for the past 10 years. She has performed Off Broadway in multiple productions (including two New York Premiers), and appeared on television in \u201cLaw and Order SVU\u201d, HBO\u2019s \u201cHow to Make it In America\u201d and \u201cBoardwalk Empire\u201d and MTV\u2019s sketch\u00adcomedy show \u201cHey Girl\u201d. In January 2015 Julia founded \u201cALL BOATS\u201d a bi\u00ad-monthly variety show that features new work in theater, film, dance, song, comedy, performance art and beyond. Julia\u2019s writing and solo\u00ad shows have been seen at Dixon Place, Fresh Ground Pepper, Theater in Asylum, The Habitat Theater Company and the variety shows \u201cNew Skin\u201d and \u201cAll Boats\u201d. She produces and directs the music videos for her comedic rap group \u201cSister Wives\u201d, and is a founding member of two sketch comedy troupes \u201cThanks For Coming Comedy\u201d and \u201cEmotional Pizza\u201d. She graduated from NYU Tisch and is currently exploring a bi-\u00adcoastal lifestyle between her hometown of Portland, OR and her Brooklyn turf. She teaches ballet and Kundalini yoga to adults and children. <\/span>https:\/\/julia-bray.com\/<\/span><\/a><\/p>\nThe Intimacy Project by Sasha Blocker<\/h2>\n
Heaven or Helen by Vanessa Hopkins<\/h2>\n
The Honey of His Music Vows by\u00a0Danielle Frimer, Avital Shira, Maria Difabbio and Susannah Jones<\/strong><\/h2>\n
Lab Work August 15-27, 2016<\/h4>\n
\nThe Intimacy Project<\/b><\/h1>\n
by Sascha Blocker: Performer, Director, Producer & Creator of Original Work<\/h3>\n
Current Performers\/Devisers: Beth Summers, Stephanie Woods, Clifton Holznagel, Jane Ferguson, Caitlin Fisher-Draeger, Laura Loy, Carlos Adrian Manzano,\u00a0Veronika Nunez &\u00a0Alison Crowley<\/h3>\n
<\/h3>\n
\nHeaven or Helen\u00a0<\/b><\/h1>\n
\u00a0by Vanessa Hopkins\u00a0<\/span><\/h3>\n
Sound Design by David Chandler<\/span><\/h3>\n
\n<\/span><\/p>\n
\nThe Honey of His Music Vows<\/b>
\n<\/span><\/h1>\nCreated and Performed by Danielle Frimer, Avital Shira, Maria Difabbio and Susannah Jones<\/span><\/h3>\n
\n
\nMatter\/\/Counting\/\/Broken<\/h1>\n
Public Showing August 14 @ 8pm<\/h2>\n
Matter is Mother by Julia Bray<\/h3>\n
Counting Pebbles by Faultline Ensemble<\/h3>\n
Broken Heart Story by Tracy Cameron Francis<\/h3>\n
Lab Work August 1-13<\/span><\/h4>\n
\nMatter is Mother<\/b><\/h1>\n
Created and Performed by Julia Bray<\/a><\/span><\/h3>\n
Costumes by Hailey Desjardin and Jane Staugas<\/span><\/h3>\n
Vocal Recordings by Ronald Peet<\/span><\/h3>\n
\nCounting Pebbles<\/b><\/h1>\n
By Faultline Ensemble<\/a><\/span><\/h3>\n
Directed by Taiga Christie<\/span><\/h3>\n