{"id":6500,"date":"2017-10-03T14:11:17","date_gmt":"2017-10-03T21:11:17","guid":{"rendered":"https:\/\/cohoproductions.org\/old\/?p=6500"},"modified":"2017-10-24T11:53:20","modified_gmt":"2017-10-24T18:53:20","slug":"2017-feltrinellistabilitytribe","status":"publish","type":"post","link":"https:\/\/cohoproductions.org\/old\/archives\/2017-feltrinellistabilitytribe\/","title":{"rendered":"CoHo Lab: Feltrinelli\/\/Stability\/\/Tribe"},"content":{"rendered":"<h1>CoHo Lab<\/h1>\n<h2 style=\"text-align: center;\">Feltrinelli\/\/Stability\/\/Tribe<br \/>\nPublic Showing October 14,\u00a08:00pm<\/h2>\n<h2 style=\"text-align: center;\"><span style=\"text-align: center;\">$10<\/span><\/h2>\n<p style=\"text-align: center;\"><script type=\"text\/javascript\" id=\"vendiniTicketLineLaunch_3bb37a35cebf99abe703b793c87952c2\">\nvar VendiniTicketLineLaunch = VendiniTicketLineLaunch || {};\nVendiniTicketLineLaunch['8b9b7f2c3d23965a7309524a403b9f1f'] = VendiniTicketLineLaunch['8b9b7f2c3d23965a7309524a403b9f1f'] || [];\n(function() {\n\tVendiniTicketLineLaunch['8b9b7f2c3d23965a7309524a403b9f1f'].push({id: '3bb37a35cebf99abe703b793c87952c2', type:'tix', eventID:'be81576f385b5354bf973a8d2f048dc4', image:'buy-tickets-now.png'});\n\tif (document.body) {var buttonContainer = document.getElementById(\"vendiniTicketLineLaunch_3bb37a35cebf99abe703b793c87952c2\").parentNode;}\n\telse {document.write('<body><\/body>'); buttonContainer = document.body;}\n\tvar span = document.createElement(\"span\");\n\tspan.id = \"3bb37a35cebf99abe703b793c87952c2\";\n\tbuttonContainer.appendChild(span);\n\tif (!document.getElementById('VendiniTicketLineLaunch_8b9b7f2c3d23965a7309524a403b9f1f')) {\n\t\tvar script = document.createElement('script'); script.id = 'VendiniTicketLineLaunch_8b9b7f2c3d23965a7309524a403b9f1f'; script.type = 'text\/javascript'; script.async = true; script.src = 'https:\/\/red.vendini.com\/ticketLine\/js\/launch\/8b9b7f2c3d23965a7309524a403b9f1f';\n\t\tbuttonContainer.appendChild(script);\n\t}\n})();\n<\/script><\/p>\n<h3 style=\"text-align: center;\">Feltrinelli by Philip Cuomo<br \/>\nGround Stability by Jen Rowe<br \/>\nSuburban Tribe: After France by Kate Mura<\/h3>\n<h4 style=\"text-align: center;\">Lab Work October 2 &#8211; 14<\/h4>\n<p><strong>CoHo Lab<\/strong>\u00a0launched in August 2016 for CoHo Productions to provide dedicated space, time and resources to theatre artists developing new works of performance. Selected artists receive a 20-30 hour workshop residency to develop their work and artist stipends are provided. Each Lab includes a private\/invited showing for the artists to receive professional feedback, then culminates in a ticketed showing for a public audience.<\/p>\n<hr \/>\n<h2 style=\"text-align: center;\">Feltrinelli<\/h2>\n<p style=\"text-align: center;\">Created by Philip Cuomo<br \/>\nPerformed by\u00a0Anne Sorce, Stefano Iaboni, Emily Newton, Olivia Weiss<br \/>\nIn collaboration with Sascha Blocker<br \/>\nAmy Chiao, Designer<br \/>\nRosie Lambert, Stage Manager<br \/>\nNicola Rossi, Assistant<\/p>\n<p>Source material:\u00a0<strong><em>Feltrinelli: A Story of Riches, Revolution, and Violent Death <\/em><\/strong>by Carlo Feltrinelli<\/p>\n<p>In 1940, during WWII, Giannalisa Feltrinelli persuaded the Italian dictator, Benito Mussolini, to bestow the title marquis of Gargnano on her twelve-year-old son, Giangiacomo. Giannalisa was the richest widow in Italy, and to sweeten the deal she gave Hitler&#8217;s partner a large donation. Had Il Duce known the shape his young putative marquis&#8217;s career would take, he might have refused no matter what the incentive: By 1944 the teenage Giangiacomo Feltrinelli had joined the Italian volunteer Legnano combat unit attached to the American Fifth Army. The following year he joined the Italian Communist Party and, precociously, became one of its leading figures.<\/p>\n<p>His son, Carlo Feltrinelli, who directs the publishing house and chain of bookstores founded by his father, has written a personal biography. <strong><em>Feltrinelli: A Story of Riches, Revolution, and Violent Death<\/em><\/strong> sums up an extraordinary life during a tumultuous historical period. It begins with the late nineteenth-century industrial expansion that gave rise to the Feltrinelli family monopolies, moves into the misery of post&#8211;World War II Italy, and ends in a series of jump cuts, allowing readers to arrive at their own interpretation of the cause of Feltrinelli&#8217;s demise.<\/p>\n<p><em><strong>Feltrinelli<\/strong><\/em> uses clowning to tell the story of Giangiacomo&#8217;s many lives as capitalist, fascist, communist, socialist, and revolutionary.<\/p>\n<p><span style=\"font-weight: 400;\"><b>Philip Cuomo<\/b><\/span><span style=\"font-weight: 400;\"> is a director, actor, educator, Third Rail Repertory Theatre core company member, and CoHo\u2019s Producing Artistic Director. His recent directing credits include <\/span><i><span style=\"font-weight: 400;\">The How and The Why<\/span><\/i><span style=\"font-weight: 400;\"> by Sarah Treem (CoHo Season 21), <\/span><i><span style=\"font-weight: 400;\">The New Electric Ballroom<\/span><\/i><span style=\"font-weight: 400;\"> by Enda Walsh, <\/span><i><span style=\"font-weight: 400;\">Or<\/span><\/i><span style=\"font-weight: 400;\"> by Liz Duffy Adams, <\/span><i><span style=\"font-weight: 400;\">Belleville<\/span><\/i><span style=\"font-weight: 400;\"> by Amy Herzog, <\/span><i><span style=\"font-weight: 400;\">The Mystery of Irma Vep<\/span><\/i><span style=\"font-weight: 400;\"> by Charles Ludlam and <\/span><i><span style=\"font-weight: 400;\">Crooked<\/span><\/i><span style=\"font-weight: 400;\"> by Catherine <\/span><span style=\"font-weight: 400;\">Trieschmann<\/span><span style=\"font-weight: 400;\"> (CoHo Season 18). He has created and directed multiple shows, including <\/span><i><span style=\"font-weight: 400;\">La Carpa Del Ausente<\/span><\/i><span style=\"font-weight: 400;\"> and <\/span><i><span style=\"font-weight: 400;\">La Carpa Calavera<\/span><\/i><span style=\"font-weight: 400;\"> for Portland\u2019s Milagro Theatre (Drammy winner for outstanding achievement in directing), and the clown shows <\/span><i><span style=\"font-weight: 400;\">Pas Deux Bits<\/span><\/i><span style=\"font-weight: 400;\">, <\/span><i><span style=\"font-weight: 400;\">Box O&#8217; Briefs<\/span><\/i><span style=\"font-weight: 400;\"> and <\/span><i><span style=\"font-weight: 400;\">Exaggeration On A Theme<\/span><\/i><span style=\"font-weight: 400;\">. As an actor he has appeared at Lincoln Center, The Hartford Stage, The Civic Theatre of Central Florida, Third Rail, Artists Repertory Theatre, Shaking the Tree, and Imago Theatre. Philip is an adjunct faculty member at Portland State University teaching movement and clown, and a founder and faculty member of the Institute for Contemporary Performance.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><\/p>\n<hr \/>\n<h2 style=\"text-align: center;\">Ground Stability<\/h2>\n<p style=\"text-align: center;\">Created by Jen Rowe<br \/>\nFeaturing Beth Thompson, Lorraine Bahr, Angelique O&#8217;Rourke, Gwendolyn Duffy, Lucy Paschall, Sasha Belle, and Emilie Landmann<\/p>\n<div>Change can only withstand time when the builders have a solid foundation to build upon. There is a specific and urgent social conversation around Feminism which currently threatens to pit a community of women against itself. The idea of Feminism holds different goals, outcomes, and views for an increasingly younger generation of women. Based on the scene &#8220;Thanksgiving&#8221; from\u00a0<em><strong>Under Construction<\/strong><\/em> by Charles Mee, <em>Ground Stability<\/em> explores inter-generational feminism and how the rage and frustration of a younger generation of women is driven by current political administrative decisions and the acceptance of a President who promotes misogyny.<\/div>\n<div><strong><br \/>\nJen Rowe<\/strong> is an Actor\/Director\/Producer. Most recently, she directed a production of <em>Tender Napalm<\/em> at Shoebox Theater and before that, <em>This Girl Laughs, This Girl Cries, This Girl Does Nothing<\/em> as a member of the faculty at Western Oregon University. She will be seen acting in a production of this same show in the winter slot at CoHo Theatre. She founded The Quick and Dirty Art Project in 2010 through which she produced and directed <em>Waiting, The Jewish Wife\/The Informer, Mercury Fur, The Unseen, Unda, Phaedra\u2019s Love<\/em>, and <em>DasVedanya Mama<\/em>. At Portland Playhouse, she directed <em>How We Got On<\/em>, devised and directed 8 Solo Shows under the comprehensive title <em>Subject To Change<\/em>. As an Actor, her work has been seen at theaters including Portland Center Stage, Artists Repertory, Third Rail Rep, Portland Playhouse and Milagro; Sketch Shows at Curious Comedy, Action\/Adventure and Live Wire Radio. Television credits include Discovery Network\u2019s <em>The Satchel<\/em>, TNT\u2019s <em>The Librarians<\/em>, and NBC\u2019s<em> Grimm<\/em>. Film credits include <em>Moral&#8217;s Inc.<\/em> and <em>Road to Bob<\/em>.<\/div>\n<div><\/div>\n<div>\n<hr \/>\n<h2 style=\"text-align: center;\">Suburban Tribe: After France<\/h2>\n<p style=\"text-align: center;\">Created by Kate Mura<\/p>\n<p><span style=\"font-weight: 400;\">From a single, 10 minute monologue, the original <em>Suburban<\/em><\/span><i><span style=\"font-weight: 400;\"> Tribe<\/span><\/i><span style=\"font-weight: 400;\"> grew into a six mask fringe piece, touring the USA, then heading abroad to Bali, the Adelaide Fringe, and the Avignon OFF Festival in France. Following her performances in France, Mura&#8217;s masks, costumes, and box office profits were stolen. Since that time, she has commissioned the creation of seven new masks with the intention of revisiting the original <em>Suburban Tribe<\/em> and adding a second act, <em>After France<\/em>, that will tell new stories with the new masks.\u00a0<\/span><\/p>\n<\/div>\n<div><strong>Kate Mura<\/strong> is a multifaceted theatre artist who has called Portland home for almost 12 years. She is an actor, a union stagehand, designer, and coach who chooses theatre as her life&#8217;s profession because we constantly prove creating other worlds *is* possible. On this plane, in this reality. It&#8217;s her work in life &amp; art to inspire the world she wants to live in, one beautiful, supportive and sustainable through tragedy and pain. More can be found at\u00a0<a href=\"http:\/\/www.katemura.com\/\" target=\"_blank\" rel=\"noreferrer noopener\">www.katemura.com<\/a>.<\/div>\n<div class=\"sharedaddy sd-sharing-enabled\"><div class=\"robots-nocontent sd-block sd-social sd-social-icon-text sd-sharing\"><h3 class=\"sd-title\">Share this:<\/h3><div class=\"sd-content\"><ul><li class=\"share-facebook\"><a rel=\"nofollow noopener noreferrer\" data-shared=\"sharing-facebook-6500\" class=\"share-facebook sd-button share-icon\" href=\"https:\/\/cohoproductions.org\/old\/archives\/2017-feltrinellistabilitytribe\/?share=facebook\" target=\"_blank\" title=\"Click to share on Facebook\"><span>Facebook<\/span><\/a><\/li><li class=\"share-twitter\"><a rel=\"nofollow noopener noreferrer\" data-shared=\"sharing-twitter-6500\" class=\"share-twitter sd-button share-icon\" href=\"https:\/\/cohoproductions.org\/old\/archives\/2017-feltrinellistabilitytribe\/?share=twitter\" target=\"_blank\" title=\"Click to share on 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